John Renbourn – Sir John Alot Of Merrie Englandes Musyk Thyng & Ye Grene Knyghte (VG+, VG+)
An instrumental album (originally called Sir John Alot of Merrie England) featuring John Renbourn with his Pentangle bandmate Terry Cox on percussion and Ray Warleigh on flute. Originally released in England in 1968, the same year that Pentangle started to record, Sir John Alot was steeped largely in English folk music. Highlights include "The Trees They Do Grow High" (aka "Long A-Growing"), solo guitar miniatures such as "Lady Goes to Church," the epic "Morgana," with its sharply nuanced tempo and timbre changes, and the sprightly "My Dear Boy." Some parts of this album are surprisingly contemporary sounding, such as the bluesy "Transformation," which sounds like "What'd I Say" transposed for acoustic guitar and African drums; "White Fishes," which veers dangerously close to quoting George Gershwin's "It Ain't Necessarily So" and Rodgers & Hammerstein's "My Favorite Things"; and "Sweet Potato," which sounds like a folk-rock song without words, even as Renbourn quotes "Satisfaction" at one point.
First UK pressing on Transatlantic Records.
Condition
Media: Very Good Plus (VG+)
Cover: Very Good Plus (VG+)
Notes: Record has one or two hairline scratches, plays nicely though. Cover has light ring wear and a few small creases at the spine. The back right corner has previous owner’s name, although this has mostly faded.
Send us an email via Contact for more info.
Release Info
Label: Transatlantic Records – TRA 167
Released: 1968
Country: UK
Genre: Folk Rock, Acoustic
Tracklist
1. The Earle Of Salisbury (01:25)
2. The Trees They Do Grow High (03:37)
3. Lady Goes To Church (02:56)
4. Morgana (07:30)
5. Transfusion (02:02)
6. Forty Eight (02:56)
7. My Dear Boy (01:21)
8. White Fishes (02:44)
9. Sweet Potato (03:23)
10. Seven Up (03:50)
$10 flat rate shipping per order.
An instrumental album (originally called Sir John Alot of Merrie England) featuring John Renbourn with his Pentangle bandmate Terry Cox on percussion and Ray Warleigh on flute. Originally released in England in 1968, the same year that Pentangle started to record, Sir John Alot was steeped largely in English folk music. Highlights include "The Trees They Do Grow High" (aka "Long A-Growing"), solo guitar miniatures such as "Lady Goes to Church," the epic "Morgana," with its sharply nuanced tempo and timbre changes, and the sprightly "My Dear Boy." Some parts of this album are surprisingly contemporary sounding, such as the bluesy "Transformation," which sounds like "What'd I Say" transposed for acoustic guitar and African drums; "White Fishes," which veers dangerously close to quoting George Gershwin's "It Ain't Necessarily So" and Rodgers & Hammerstein's "My Favorite Things"; and "Sweet Potato," which sounds like a folk-rock song without words, even as Renbourn quotes "Satisfaction" at one point.
First UK pressing on Transatlantic Records.
Condition
Media: Very Good Plus (VG+)
Cover: Very Good Plus (VG+)
Notes: Record has one or two hairline scratches, plays nicely though. Cover has light ring wear and a few small creases at the spine. The back right corner has previous owner’s name, although this has mostly faded.
Send us an email via Contact for more info.
Release Info
Label: Transatlantic Records – TRA 167
Released: 1968
Country: UK
Genre: Folk Rock, Acoustic
Tracklist
1. The Earle Of Salisbury (01:25)
2. The Trees They Do Grow High (03:37)
3. Lady Goes To Church (02:56)
4. Morgana (07:30)
5. Transfusion (02:02)
6. Forty Eight (02:56)
7. My Dear Boy (01:21)
8. White Fishes (02:44)
9. Sweet Potato (03:23)
10. Seven Up (03:50)
$10 flat rate shipping per order.
An instrumental album (originally called Sir John Alot of Merrie England) featuring John Renbourn with his Pentangle bandmate Terry Cox on percussion and Ray Warleigh on flute. Originally released in England in 1968, the same year that Pentangle started to record, Sir John Alot was steeped largely in English folk music. Highlights include "The Trees They Do Grow High" (aka "Long A-Growing"), solo guitar miniatures such as "Lady Goes to Church," the epic "Morgana," with its sharply nuanced tempo and timbre changes, and the sprightly "My Dear Boy." Some parts of this album are surprisingly contemporary sounding, such as the bluesy "Transformation," which sounds like "What'd I Say" transposed for acoustic guitar and African drums; "White Fishes," which veers dangerously close to quoting George Gershwin's "It Ain't Necessarily So" and Rodgers & Hammerstein's "My Favorite Things"; and "Sweet Potato," which sounds like a folk-rock song without words, even as Renbourn quotes "Satisfaction" at one point.
First UK pressing on Transatlantic Records.
Condition
Media: Very Good Plus (VG+)
Cover: Very Good Plus (VG+)
Notes: Record has one or two hairline scratches, plays nicely though. Cover has light ring wear and a few small creases at the spine. The back right corner has previous owner’s name, although this has mostly faded.
Send us an email via Contact for more info.
Release Info
Label: Transatlantic Records – TRA 167
Released: 1968
Country: UK
Genre: Folk Rock, Acoustic
Tracklist
1. The Earle Of Salisbury (01:25)
2. The Trees They Do Grow High (03:37)
3. Lady Goes To Church (02:56)
4. Morgana (07:30)
5. Transfusion (02:02)
6. Forty Eight (02:56)
7. My Dear Boy (01:21)
8. White Fishes (02:44)
9. Sweet Potato (03:23)
10. Seven Up (03:50)
$10 flat rate shipping per order.
